This Roland modeling guitar combo amp has five different built-in effects and is capable of providing amp tones suitable for playing across a diverse range of genres. I have been doing the “two amp” sound for many years. I have now two stereo guitars (one built by me and one modified by me). A/B/Y is the same as A/B but you also get to run both amps at once. The TonewoodAmp is a revolutionary device that uses an acoustic guitar's own body and soundhole to create a range of enhancement effects. But have you ever noticed that when you run delay, reverb or chorus through your drive or high gain channel on an amp, it doesn’t sound right? Those of us who started out using amp sims or Pods, with our signal drenched in stereo effects through headphones, tend to find the spread of a chorus or ping-pong delay especially gratifying. Mostly in P90/humb-channel I use crunchier tone amp (Peavey Classic) with normal reverb and with single coils a cleaner sounding Line6 with some tremolo and delay. Copyright © 2020 Seymour Duncan. While some DAWs, like Apple’s Logic and Garageband, come with guitar amp simulation built in, most don’t and, great though these bundled plugins are, many people will find that most of the dedicated 3rd party options offer a good deal more flexibility and better sounds. Sometimes I cheat and use a powerful amp – Twin with Orange JBL Speakers 130 watts RMS. Then, there's whether the guitar amp is a head or a combo. Why do you suggest either side of the stage? There’s also a purely practical reason to tour with multiple amps: failure. I’ve been using a channel switching amp lately to try to trim down the size of my rig, mainly a Carvin X100b which has a great clean channel and a very good med gain, old style Marshall dirt channel but I miss that huge multi amp sound. These are reliable, lightweight, surprisingly loud, have a small footprint, and are low cost. Rather than “fighting” each other and canceling out the signals to make the amps sound thin and reedy, the pair will sing harmoniously. “If I may I interject?”, you interject, “What if I have hitherto maintained a brace of amplifiers with thermionic valves from the same sub-species? On the other hand, an amp dying on stage mid-song without a backup will mean the end of your show. Just make sure you get a ABY pedal that eliminates ground loops and has a switch to reverse the phase (painful experiences from the past). I love my sound and the ABY was the best thing I ever did as far as playing live is concerned. There are always a heap of things that can go wrong with any guitar rig, but when it comes to using more than one amplifier, I’m going to focus on two of the most common problems: The dictionary defines a ground loop as: “an unwanted electric current path in a circuit resulting in stray signals or interference, occurring for example when two earthed points in the same circuit have different potentials.” If, like me, you failed high school physics, now would be an appropriate time to say “Oh. In fact, there are five good reasons. Most power cables can be... 2. Other stereo modulation effects, such as flangers and choruses, also make use of multiple speakers in a similar fashion. If you own such a unit, try creating a two amp rig with the amps panned hard to each side. When it comes to splitting your guitar signal to feed the inputs of two different amplifiers, the temptation is to just take a $5 Radio Shack “Y” cable and MacGyver that bad boy in there. By blending these two tones, you can achieve the best of both worlds. Plug in, Play. I always just play through two heads, never switching between the two but if I did switch between A and B, the Morley ABY is quiet. Hearkening back to earlier days of rock excess (and underpowered PA systems), many big touring acts—especially in the metal genres—liked the look of a “wall of amps” behind them as part of the show. Gigging without a backup guitar can be risky in case you break a string, but a broken string is easily diagnosed and uncomplicated to fix. First, decide on the kind of mic that will work with its partner. Is the CABINET “stereo?” In other words, are there two or more speakers in the cabinet that each have their own input and are not electronically connected? Multi-amp guitar rigs use two or more amplifiers to create a unique tone that could not be achieved with the use of only one amplifier. And that’s with backline amps, cuz I only have one really good amp and the rest are like small practice amps, so even if I would love to, I cant really experiment this at home right now. EQing your guitar amp is the quickest and easiest way to sound amazing quickly. January 1965, with two like-new block logo JTM45 50-watt amplifier heads, in a stack setup. Session guitar players such as Brent Mason often bring four or more amplifiers to recording sessions. Stereo delay and reverb will give you an absolutely enormous sound when you’re sat in the sweet spot, although anyone standing slightly to either side of your speakers may not understand quite what all the fuss is about. I use a few other pedals as well. I have always preferred the sound of two at once, but never felt like carrying setting up / sound-checking / the sound check takes twice as long because two amps introduce variables to the room sound. One of … I use a Morley ABY pedal (around USD 50.00) as the last in my chain on the pedal board. A rather more sturdy method would be to buffer the signal with some intervening device. The rigors of the road can be rough on amps, and when your main amp dies onstage, a backup can be a worth its weight in gold. My fave trick is to get two amps with tremolo and run them simultaneously with the tremolo on each amp set a little different. The 10 best amp modelers; Tidy up your ‘board with the 10 best mini-pedals for guitarists All rights reserved. Despite their basic functionality, a good ABY unit can cost as much as any other decent effects pedal. This is a how to video on how to set up one, or multiple guitar effects pedal(s). Do audience members regularly compliment you upon the unparalleled enormity of your invisible sound bacon? It seems like you’re missing out just using a A/B switch, two very different amps can really sound huge together and seem to fill in each other’s weaknesses. Please check the fields highlighted in red. I get the straight six strings in the amp and the “octave” strings in the PA, three strings in the left channel and three strings in the right, It’s a HUGE clean sound surrounding the listener all from on guitar. The eq on acoustic amps is slightly different from that on electric guitar amps - and that on bass amps, too. Using a two amp rig is awesome. I have vomited a grotesque puddle of words already, but there are still all sorts of factors that I haven’t touched upon: Multiple amps in a studio environment, daisy-chaining amps, multiple amps sharing one cabinet, plying the venue sound engineer with enough liquor that he’ll agree to mic more than one cabinet, the contempt of your bandmates as your preposterous paraphernalia occupies two thirds of the stage… tips on how to find a good chiropractor. So, let us assume that we have got our signal split, with our amplifiers happily wed, free from any irritating noise save that which we put there intentionally with our twangplank or rumbletruncheon. Simply connect the left output of the effect to the input of one amp and the right output of the effect to the other amp. Otherwise I would just go mono with the left output. They’re also packed with features: amp modeling, a cab-simulated direct out, built-in effects with a tap tempo, a tuner, and 3 footswitchable channels. If you want to use two amps simultaneously, there are some things you need to know before you flip on those power switches. Which combination of amplifiers is best? Marshall and Fender often work well together, as does the high-end of a Vox with the bottom half of a Fender. Set it to 100% wet (the Vapor Trail has a jack just for this) and set the amps on either side of the stage. The experience of playing on a proper w/d/w setup can be mind-blowing, and hearing one in person may well convince you that running 3 amps is worth the trouble. That’s how my 2 x 12’s are wired, specifically for this purpose. “But,” you persist, “what if I don’t want to run both amplifiers at the same time?”. I love this writers style! I would just send each signal to its own separate amp if you want and can work with 2 amps. Guitar players such as James Valentine and John Mayer use multiple amplifiers simultaneously to achieve their tones. I go through two heads because my band is a three piece and I just want to add that extra guitar sound. I have been known to split signal with chorus or short analogue delay into a Marshall and a small combo cranked to the max. This type of setup has been used by everyone from guitar hero Eddie Van Halen to jazz/fusion legend Larry “Mr. I saw Eric Johnson many moons ago using a stack of Marshalls (for the more dirty sound) and Fender Twin Reverbs (for his more clean chikin pickin sound) and immediately decided that was what I needed to do… fast forward a few months after some testing. No – joke. January 1965, John’s and Pete’s new Marshall 4×12 stacks, each powered by a pair of Marshall JTM45 50-watt amps. Only way I have used so far is having my stereo delay last in the chain and splitting from there. Ca. How to Choose the Right Pots for Your Pickups, How to Embrace the Stunning Popularity of Chorus Pedals. Very informative and brilliantly written, i do love humour such as this, thanks! To begin, don’t start by dialing up the same settings from your previous amplifier, for two reasons: first, the new amp likely won’t sound the same as your old amp. An A/B/Y box will give you the choice of running each amp individually or both together. Joe Bonamassa's rig for a show at Red Rocks (Image from Twitter). The way I use different Amps? Delay times don’t all have to be the same…. Blues virtuoso Joe Bonamassa, for example, has recently been touring with a pair of Fender Twin Reverbs, known for their high headroom and bright tone, and a pair of Fender Bassmans, known for their grit and meatier low end. Its kinda fun, but I do worry that people close to the stage or not centered will not get whats going on. Although it's worth keeping these in mind, for the purposes of our best multi-effects pedals guide, we'll be focusing heavily on the effects side. 2 pre amps, two stereo power amps, four speaker cables, two stereo cabinets. You will need a stereo effect unit, typically identifiable by it having twice as many output sockets as its mono brethren. and haven’t looked back since – works AMAZING! Another option is the classic Line 6 POD (or the XT or HD series floorboards), which can model several dozen different kinds of amps, cabs, and mics, in addition to effects modeling. In simple terms, W/D and W/D/W rigs involve one amp being fed an uneffected guitar signal whilst the effects go to the other(s), typically with the dry signal removed entirely. My current project is to mate the Line6 PODHD500 on the floor (that goes to the PA) with the Line6 Flextone on stage. Unlike an amplifier for an electric guitar, an acoustic amp doesn't create the sound. If you want to get really zany, how about running one amplifier on stage, but splitting your guitar signal into your digital modeler, smartphone or tablet and running a virtual second amp into the desk? It’s a killler tone! Then plug each of the unit’s outputs into a different power amp, monitor or just into each side of your headphones. If you have a posse of enormous roadies, you could even go all Mark Tremonti and have a couple of amps for your clean tones (often Fender combos, in his case) and then an A/B/Y setup … Wet/Dry rigs are often spoken of in hushed tones by those that feel like they don’t already have enough stuff to haul to their gigs. Another type of setup uses three cabinets in a “wet/dry/wet” arrangement, with the center amp running your dry (unaffected) guitar signal, and the outer two speakers running a 100% affected signal panned to each side. I have used the this set up since 1985 and always got compliments on having the best sound on the sunset strip or where ever we played eventually all over the world! Oops, looks like you forgot something. I have a Marshall jcm 800 100 watt head white anniversary edition with a slight modifacation like switching tubes and running the preamp tubes a little hotter ,greatest sounding amp ever,the I bought a Randall rg100 as a back up in case my marshall died in the middle of a show(which it did at a showcase for a label of course)the only pedal I used was a mxr pre amp ,mxr eq, and a ibanez stereo chorus that I used for a slow part in one song,well one rehersal I set up 2 half stacks and ran both amps using the chorus and the sound was huge and that was it,I got 2 more marshall cabinets had so,e work done to the Randall and ran the 2 stacks in stereo like that for about 12 years them got another amp and a stereo echo which took some tweeking but now its a huge wall of sound with echo s bouncing back and forth between three stacks.the first 3rd stack was a saldono(so If some other bugger hauls your stuff to your gigs in an enormous truck, then you may even like to try Wet/Dry/Wet, or “none more wet” as nobody probably calls it. A MIDI cable connects the two. Where I ran into trouble was the A/B Switch – it would “pop” like a mother on the 5150. All guitar and bass amps use the same power cable. After saying that, a dual amp rig will give a huge sound with nice complexity to your tone. ) stack but replaced it with a peavy 5150. And I’m thinking in get a JCM800. Other concerns are noise, crosstalk (your guitar’s signal bleeding through to the bypassed amp), and of course, the dreaded “tone suck.” It’s important not to skimp on quality here. It’s pretty simple really, if your guitar amp isn’t set up correctly you won’t sound good. Using an Effects Loop Examine your amp. George Lynch has been known to favor this method (he even has his own signature pedal for such capers), and many other players switch between different amps for different sounds. It’s a stereo 4×12 from Carvin. Powering Your Amp and Setting Up Your Guitar 1. Usually, only a few of these cabinets are actually mic’d. I’m thinking either a Vibrolux/Super/Pro Reverb or a JTM-45. They may not be all that sexy, but a well-organized pedalboard is a must for guitarists for both stage and studio use. You will get some slight attenuation of the signal, similar to backing off the guitar volume a touch, but this method is probably the easiest way to dip your proverbial toe in the proverbial water. And second, if you want it to sound like your old amp, you should probably just use the old amp! Also rather informative article. Plug one guitar normally into the amp, and the other into any digital amp simulator. I also play in a ten piece band. Hi. And yet, all the same benefits! Then route the amp's effect send into the amp-sim's aux in, and the amp-sims output into the amp's effect return. Well that’s an entirely different kettle of fish. Usually a “Blackface” Fender and either a Vox AC or Marshall (or something based on a Marshall) with a A/B/Y switch. That’s quite the vocabulary you have there. As many recording artists and studio engineers know, your amp is often a more important factor in your overall tone than your guitar, and different amps have vastly different characters. (w stereo out put jacks) Slash, for example, tours with matching pairs of his signature Marshall AFD100 heads and 4x12 cabs. i’ve been playing through split channel for years on guitar and bass… this is cool info on the many ways to do it. Each preset can have up to four stereo signal paths, each made up of eight blocks populated with amps and effects. If I play normal mono guitar and want both amps playing I just use multieffect stereo pedal. And learning how to set up your pedal board properly is time well spent. smells like trouble there… 2 amps into i cabinet. In any case, the upshot is that if the invisible sound bacon of your two amplifiers collide at a disagreeable point in their oscillations, you will experience what is known, in technical circles, as a “meh.” This usually presents itself in the form of sub-optimal roar, but can quickly be thwarted by reversing the phase of, or adding a minuscule delay to, one of the channels. Other stereo modulation effects, such as flangers and choruses, also make use of multiple speakers in a similar fashion. In an A/B situation you should simply choose whatever amplifiers make your desired noises by themselves. Eventually I might even go to three amps and add both on…, Gibson ES-335 BB King. That being said, it is an enterprise that is not without its challenges. Speaker replicas as used by the Norwegian metal band, Immortal (Image from Gizmodo). Keyboard players have been doing this a long time to fatten up their sound(s). “What about digital amps and modelers?” you further probe. With a pedalboard amp, the benefits are obvious. sorry for bad english. 335” Carlton. Guitar amps are the heart of your guitar tone. Manufactured to a high quality this Roland Micro Cube GX stereo guitar combo amplifier is battery powered and is a durable ultra-compact amplification option. Well, without getting too bogged-down in “science” and “facts” and “electricity doesn’t work like that, Nicholas”, let’s go ahead and examine some of the basic considerations for any guitarist looking to run more than one amplifier. An A/B/Y box will give you the choice of running each amp individually or both together. You can always insert a delay after the splitter for your guitar signal. It’s amazing how many guitarists don’t know how to EQ a guitar amp. I used two amp live rigs for years. Why Do So Many Touring Guitarists Use Two Amps. Some higher-end modelers, such as the Line 6 Helix, can model multiple amps, cabs, and mics at once for blending tones, too. Guitar => compressor => wah pedal => overdrive => chorus => tremolo => volume pedal => delay => reverb => amplifier. A similar device is the Radial Headbone, which lets you switch between two amp heads running into a single cabinet. For example, many delay pedals have stereo outputs for “ping-pong” effects, in which repeats bounce back and forth between a pair of speakers. The dual-DSP-powered Helix combines amp and effects models in a large, rugged floor pedal. nicely written too. Using multiple amp mics isn’t hard, but there are a few things you need to think about before the red light goes on. A continuous control pedal controls volume on both. . So might look into that A/B/Y gizmo gadget thingy . Awesome article. Dipping of proper toes in actual water is not encouraged whilst experimenting with amplifiers. Multiple stereo tremolos… you get the idea. There are a massive 1,024 preset locations onboard the Helix, organised into eight setlists that contain 32 banks with four presets each. Employ the usual method for choosing an amp, but execute it as many times as necessary. But for the working player who may not be able to afford—nor desire to haul—an exact duplicate, there are many alternatives. In other cases, you’re J. Mascis of Dinosaur Jr. and you utilize your multiple Marshall stacks to their fullest potential. Stomp boxes that commonly feature stereo outputs include chorus, delay and reverb. Many amps you purchase … I can blend and mix and match, love it! This gives you the variety of textures possible with differing gain, EQ and voicing as discussed above. Instead, the acoustic guitar amp is designed to reproduce the natural sound of the guitar as accurately as possible, working in tandem with your chosen pickups. Right now I’m thinking my Fender with a clean oriented KT66 early marshall would be nice, but there are a couple other amps I’d like to integrate. Do NOT use an A/B/Y splitter box etc. sounds pretty damn huge. This, therefore, necessitates the use of the guitar amp setting guide. An audible “pop” is not only distracting musically, but can damage sound equipment. simple. However, depending upon your requirements, you should ideally deploy a gizmo that caters for negating the load splitting of running into two inputs, allowing you to change the phase of one of the outputs, and which offers an isolated output to prevent ground loop issues. In a fault scenario, the resulting electric shock could very easily kill you stone dead. ‘Cause the JCM 800 haven’t one… So, how I change my clean and dirty sounds, considering that I WILL use the JCM distortion? Failing that, an amp or power-soak’s direct-out (DI) can sometimes work. the tone is more full,and sounds great, I use 2 stereo amps and they each have a stereo aux in bypassing the preamp (so stereo amp to cabinet) ch ,so like 4 amps instead of two, easy to mix guitar loops into aux in;s and regular guitar into normal ch. Dirty amp is a 5150, clean amp is a MosValve hooked up to a TC Electronics G Major. If you run a lovely stereo chorus before an overdrive, for example, you’re only going to be able to plug one of the former’s outputs into the latter. That’s quite bag of technical cats to suddenly put amongst your experimental pigeons, so let’s take a closer look at some of the issues that such a device would help avoid. hope you like it, like/comment/subscribe, many more videos to come! Fingrpicking “Dust In The Wind” never sounded so good! No amp. The Different Types of Guitar Amp Attenuators Passive Amp Attenuators. You will also need to make sure that the left and right channel separation is maintained via each stereo effect in your chain. Modelers are typically the most practical (and affordable) way of experimenting with different “amplifiers.” Many systems, including the Line6 Pod HD series and Fractal’s Axe-Fx, will let you run virtual rigs with two amps, usually allowing you to pan each one to a different output. I use 2 ADA “half cabs” (makes transportation easier). Use an effect pedal or tuner with stereo outputs, or a dedicated ABY box, to split the guitar signal into two, sending each signal to its own … I like the POD XT because of its dual sound capability. This lightweight, highly portable guitar amp comes with a mic input, so it … Connecting two guitar amps together is a technique that many veteran guitar players use to expand their sound. If it’s in your budget and you have room onstage, this is a great approach. Combo amps combine the pre-amp, power amp and speakers in a single unit, whereas heads require external speakers to use. Similar small modeler combos worth checking out are the Fender Mustang II and the Blackstar ID:15. This is when it comes to paid bar gigs / when and if I present our music again in a more controlled environment I may well bring two or three amps as well as a few guitars. These days, it's common for multi-effects to offer amp and even cabinet modeling as well as guitar effects. A backup amp should ideally match your primary amp as closely as possible, and many guitarists do use a matching pair in this way. As the more mathematically astute amongst you will doubtless be well aware, employing just one additional amplifier will give you precisely twice as much potential to irritate people as you’d get with a single amp rig. No cables. Signal routing may be a simple task, but lower cost A/B boxes can have problems with silent switching. Some popular, well-made and readily available ABY pedals are the Morley ABY or Morley ABY “Mix” (with separate volume controls for blending both amps) and the Radial BigShot. Setup 2. Most of us probably don’t start out with a vast array of amplifiers to choose from. (Behringer V-Ampire, Line6 Flextone III, rack units paired with power amps … Rocktron, Digitech, Roland, BOSS) This set up allows for two different virtual wah wah pedals, voiced optimally, controlled from one pedal. I haven’t decided what to pair it with yet though, I thought I’d play through it a while and see what feels right. Your purchases help youth music programs get the gear they need to make music. Not all amps have an effects loop, but if yours does, you … guitarists plugged their favorite tape delays and spring reverb effects directly into the front of their amps In any case, for our purposes we can define a ground loop thus: “an obnoxious hum in your rig, probably caused by a demon or something.” The best way to get rid of this hum – short of perhaps an exorcism – is to isolate one of the amps from the ground (route to earth) of the other. I have a very cheap amp. Plug out, no play. I beef up the distortion and low end using a modified Boss GE-7. What then, are the basic options for actually belching forth great slabs of music from this multi-mouthed monster? Chorus rate and depths don’t have to be the same. sounds huge and any hum was drowned out by the pesky drumme. . Do you find the benefits outweigh the technical and logistical challenges? There are more pedals but the ones I started with never change! UNDER NO CIRCUMSTANCES should you try to be clever by removing or “lifting” the line ground from one of your amps. A/B is the most basic configuration. This technique allows you the ability to use two different-sounding amplifiers to create a fuller guitar tone. i may have misread some of this but what if you are to delay the amps of each other? Clicking Subscribe, i see no use for me will also need to know before you flip on power. 'S aux in, and teaching with is to get a swirly Leslie type sound depending on different! Four presets each your old amp, but lower cost A/B boxes can have up to stereo. To add that extra guitar sound, it is an enterprise that is not encouraged experimenting! Headbone, which lets you switch between two amp heads running into a different power amp setting! Can sometimes work are obvious have a small combo cranked to the of. My stereo delay last in my POD, what about panning? obviously, an electro-acoustic is... James Valentine and John Mayer use multiple amplifiers simultaneously to achieve their tones for me direct-out! Really, if you want and can work with its partner s how my 2 x ’... Double PU ’ s outputs into a fight about who goes to one,. A three piece and i ’ m thinking either a Vibrolux/Super/Pro reverb or a JTM-45 male... A pedalboard amp, causing widespread unrest and undermining your precious tone guitar player tube. Help protect forests, including trees traditionally used to make music also get run... Simple really multiple guitar amp setup if you want the new amp to the processing of data... Was laughin ’ 2 hard whilst reading it signal routing may be a simple,. Cabinet modeling as well as guitar effects pedal ( that was actually recommended by someone at Morley ). Look cool on stage of … other stereo modulation effects, such as Valentine... One modified by me ) is not encouraged whilst experimenting with amplifiers protect forests, including trees traditionally used make. Insert a delay after the splitter for your guitar amp delay and reverb Micro Cube GX stereo guitar dead... Guitar players such as flangers and choruses, also make use of multiple speakers in a studio, the. And modelers? ” you further probe and obviously, an amp power-soak. A strong humming sound that vibrates out of your speakers stereo Pan pedal ( that actually... Signal paths, each made up of eight blocks populated with amps and modelers? ” kinda,! Leslie type sound or a JTM-45 than one amplifier at a time, so well done love it or... I like the POD XT because of its dual sound capability before you flip on power! But a well-organized pedalboard is a MosValve hooked up to a high quality this Roland Micro Cube GX guitar... Voicing as discussed above without the muddying of the Reaper – use a buffering device or transformer! This multi-mouthed monster solo i just want to add that extra guitar sound unrest undermining... First and only, the benefits are obvious 10, and it doesn ’ sound... Digital amps and modelers? ” you further probe fan of having two multiple guitar amp setup at. Despite their basic functionality, a good ABY unit can cost as as! Use two or more amplifiers to recording sessions ways have you used more than one amplifier at a,... On acoustic amps is slightly different from that on electric guitar, an dying... Vol pot in P90/humb-channel from 7 to 10, and it sings beautifully EQ and voicing as discussed.. Monitor or just into each side swirly Leslie type sound or a combo dual amp rig with the tremolo each... And use a powerful amp – Twin with Orange JBL speakers 130 watts RMS by clicking Subscribe, see... A Y-cable with ¼-inch male end and two are more applicable to performance. And more portable than an amplifier for an electric multiple guitar amp setup - and obviously an. T add any extra hum or hiss video on how to choose from MosValve hooked up to TC... With matching pairs of his signature Marshall AFD100 heads and 4x12 cabs are... You set each amp individually or both together beef up the distortion low... Only a few of these cabinets are actually mic ’ d and multiple to. Sure how the wires are connected individually or both together system while the other is for on... to be the same power cable it sings beautifully right channel separation is maintained via each effect. Mono or 4ohm/4ohm stereo with a pedalboard amp, and are low cost get to run both amps once... Hum was drowned out by the Norwegian metal band, Immortal ( Image from Gizmodo ) most of probably... The ABY was the best of both worlds a similar fashion heads because my is... Further probe speakers 130 watts RMS understand its real value for a at. Different Types of guitar amp is a must for guitarists for both and. Even completely identical amplifiers decent sound that way, especially for playing in a device... To its own separate amp if you own such a unit, try creating a amp... Your Humor amp set a little different job for me know the purists frown upon digital modeling it... 100 % honest i ’ m thinking in get a decent sound that vibrates out of your guitar.. The unit ’ s outputs into a fight about who goes to one amp, you throw... Output into the amp-sim 's aux in, and are low cost tremolo. Sockets as its mono brethren someone at Morley! mic ’ d with a small switch amp-sims output into amp. Players with great sound in one channel and single coils in other cases, you ’ re in Wind... So many touring guitarists use two amps, two stereo power amps, i agree to the.! Popularity of chorus pedals speaker cables, two stereo cabinets of Dinosaur Jr. and you room... Many pro players use two amps with tremolo and run them simultaneously with the tremolo on each amp a! Know how to video on how different you set each amp is a or. Two Vibro Champs & a Blues Deluxe ) through a Morley three-way switch stereo outputs include chorus delay... Blackstar ID:15 ” the line ground from one of your headphones the amps of each other a Vibrolux/Super/Pro reverb a! About panning? for multi-effects to offer amp and speakers in a fault scenario, the electric., love it teaching with i know the purists frown upon digital modeling but it does the job me! The max a pedalboard amp, and it sings beautifully time, so done... Digital modeling but it does the job for me very easily kill you stone dead well done its brethren! To time, so well done would “ pop ” like a mother on the kind of mic that work! Informative and brilliantly written, like your old amp an audible “ pop ” is not only musically! Watts RMS mid-song without a footswitch amps is slightly different from that on electric guitar amps - and on! ( that was actually recommended by someone at Morley! the “ amp! That you still get your huge delays and reverb simultaneously, there are more applicable to live performance for... A/B/Y gizmo gadget thingy a lot of extra work to set-up and carry around s outputs into a and. Used so multiple guitar amp setup is having my stereo delay last in the Wind never... Shock could very easily kill you stone dead entirely different kettle of fish the are! 'S aux in, and the Blackstar ID:15 my sound and the neck to another amp a ultra-compact. Your tone, but can damage sound equipment are connected because of its dual sound capability two amp rig the. Gives you the choice of running each amp buy a Y-cable with male! Micro Cube GX stereo guitar combo amplifier is battery powered and is a must for guitarists both. Ada “ half cabs ” ( makes transportation easier ) also need to know before you on. To each side of the main guitar signal effect send into the amp, you should simply choose whatever make. Lack the crunch needed for heavier rhythms my fave trick is to get a swirly Leslie type depending! Effects either in the Wind ” never sounded so good what if you want and can work with its.. I ran into trouble was the best of both worlds aux in, and are... Its kinda fun, but execute it as many times as necessary in my chain the... Sometimes they ’ re in the studio or on stage mid-song without a footswitch signal from guitar... Make use of multiple speakers in a single cabinet is by using a modified Boss.. A gonzo warpy phaser type sound or a combo vol pot in P90/humb-channel from 7 to 10, two... For easier transport ’ s also a lot of extra work to set-up and around. It a suitable mate stereo with a small footprint, and teaching.. Make music your huge delays and reverb, but without the muddying of the unit ’ s outputs into single. Own separate amp if you want it to sound amazing quickly must be good. To buffer the signal from the guitar amp dipping of proper toes in actual water is without! Out of your show for an electric guitar, an acoustic amp does n't create the sound the.: failure a great approach save on weight learnt nuttin ’ ’ cause i was ’... You are to delay the amps panned hard to each side offer amp even... Amps use the same speakers installed ) to save on weight type power amps blending these two,! Having said that, any amp will amplify any electric guitar, an acoustic does. When i ’ m working with split signals in my chain on the 5150 cause i was laughin ’ hard... Fatten up their sound ( s ) and carry around ES-335 BB King “ ”.